American heavy metal icons CORROSION OF CONFORMITY have just released their mammoth new double album, 'Good God / Baad Man'.
The official music video for the latest single, 'Asleep On The Killing Floor', is available to view below.
The track comes off the band's 'Good God / Baad Man' album, which was released today (Friday, April 3) via Nuclear Blast.
The clip was created by Mike Holderbeast.
The double album features cover art by famed New Orleans artist Scott Guion and was produced by Grammy Award winner Warren Riker.
It was recorded at Blak Shak Studios in Riffissippi, USA, Dockside Studios in Maurice, Louisiana, and BEE GEES legend Barry Gibb's home studio in Miami, Florida.
To promote the album, CORROSION OF CONFORMITY will return to stages this spring on a North American headlining tour with support provided by WHORES and CROBOT.
The tour will feature Bobby \u0026apos;Rock\u0026apos; Landgraf on bass and Nick Shabatura on drums.
Landgraf joins the group after previously working with CORROSION OF CONFORMITY guitarist Woody Weatherman's friend Keenan, in DOWN.
Regarding Landgraf's addition to CORROSION OF CONFORMITY, Weatherman told Shawn Ratches of Laughingmonkeymusic: '[We were] buddies.
[He's] just a great friend.
We know he's a fantastic musician.' Weatherman continued that Shabatura was recommended by ANTHRAX and PANTERA drummer Charlie Benante, who had previously mentioned him to the band.
Shabatura has previously played with DESECRATE THE HOUR and the Chicago-based NIRVANA tribute band SMELLS LIKE NIRVANA.
Drummer Stanton Moore, who laid down the drum tracks for 'Good God / Baad Man', gave Shabatura his blessing after meeting him at rehearsals in Riffissippi.
CORROSION OF CONFORMITY's first four albums left a permanent mark on headbangers, longhairs, and street punks everywhere: Underground classics 'Eye For An Eye' (1984) and 'Animosity' (1985) followed by slightly more overground bangers 'Blind' (1991) and 'Deliverance' (1994).
By the time CORROSION OF CONFORMITY carved off 'No Cross No Crown' nearly a quarter century later, they were legends in their own time, revered by two generations of punk, metal, and rock fans.