After a 17-year hiatus, POISON THE WELL have released their sixth full-length album, "Peace In Place", which marks the band's return to music after nearly two decades.

The Floridian metalcore pioneers are known for pushing boundaries and refusing to conform to genre expectations.

Their latest offering is no exception, featuring an eclectic blend of metalcore, post-hardcore, and other influences that showcase their unique sound.

The album begins with "Wax Mask", a song that sets the tone for the rest of the record.

The band's vocalist, Jeffrey Moreira, brings his characteristic passion to the table, delivering a mix of bellowing and clean vocals throughout the track.

Other highlights include "Primal Bloom" and "Everything Hurts", both of which feature crunchy metalcore riffs and a sense of experimentation that is reminiscent of their later work.

The band's experimental approach continues with songs like "Thoroughbreds", which incorporates surf rock shades, and "A Wake Of Vultures", which features an atmospheric coda.

On the other hand, tracks like "Bad Bodies" showcase the band's post-punk influences, while "Melted" and "Weeping Tones" offer a mix of moshpit-friendly fury and artfulness.

The album closes with "Plague Them The Most", a song that showcases the band's ability to twist their own sound into new shapes.

Despite its unorthodox approach, "Peace In Place" is sure to delight fans of POISON THE WELL and draw in new listeners who are looking for something different from their metalcore.

One of the album's greatest strengths is its unpredictability.

While some songs may recall the band's earlier work, others push the boundaries of what is considered acceptable in metal music.

The result is an album that feels both fresh and timeless, a true return to form for POISON THE WELL after their long hiatus.