Fresh off signing with Century Media, Worm’s new album Necropalace arrives with serious momentum.

The release is set to feature three music videos, including two for tracks that stretch past the 10-minute mark. The visual component leans into a lo-fi gothic horror aesthetic, channeling the spirit of ’90s black metal theatrics without tipping into self-parody. Frontman Phantom Slaughter’s conviction keeps it grounded.

The album feels both familiar and revitalized. Flourishes of dancing keys nod to Dimmu Borgir, while cavernous synths evoke the atmosphere of vintage Castlevania or a desolate horror score.

Musically, Necropalace fuses black metal excess, doom-laden weight, and the intricate guitar work of Wroth Septentrion (Philippe Tougas). The sprawling compositions remain cohesive, even when they flirt with indulgence.

The 14-minute closer, “Witchmoon: The Infernal Masquerade,” features former Megadeth guitarist Marty Friedman in a striking guest appearance that elevates the finale to cinematic heights.

Phantom Slaughter shifts between blackened shrieks, mournful cleans, and searing death growls, steering the album’s emotional arc with force and control.

Standouts include the title track, “Halls Of Weeping,” and “Dragon Dreams,” each packed with swirling transitions and razor-edged riffs. “Blackheart” stands apart as a gothic black metal ballad with a regal presence.

With Necropalace, Worm delivers an ambitious and immersive record that pushes beyond genre lines while embracing extremity at every turn.